{"id":6735,"date":"2023-06-03T14:04:14","date_gmt":"2023-06-03T13:04:14","guid":{"rendered":"https:\/\/kinootok.org\/?page_id=6735"},"modified":"2024-06-07T11:41:52","modified_gmt":"2024-06-07T10:41:52","slug":"film-and-guests","status":"publish","type":"page","link":"https:\/\/2024.kinootok.org\/en\/film-and-guests\/","title":{"rendered":"FILMS AND GUESTS"},"content":{"rendered":"
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Arrigoni and Manzioli Open-air Cinemas<\/strong><\/h2>\n

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Kummatty<\/strong><\/a><\/h2>\n

Govindan Aravindan, India, 1979, 90\u2019<\/p>\n

\"\"<\/a><\/p>\n

A vivid tale of a travelling magician and his extraordinary encounter with children. A work of art brimming with song, dance, and children\u2019s laughter.<\/p>\n

Screened with: \u2018Sto Scoio<\/strong>, Remigio Gri\u017eoni\u010d, Slovenia, 2019, 2\u2019<\/p>\n

Dedicated to the festival’s long-standing programme contributor, friend, and cofounder, Helmut Groschup. Long live Cooperative!<\/em><\/p>\n

 <\/p>\n

There\u2019s Still Tomorrow\u00a0\/ C’\u00e8 ancora domani<\/strong><\/a><\/h2>\n

Paola Cortellesi, Italy, 2023, 118\u2019<\/p>\n

\"\"<\/a><\/p>\n

Tracing life in a working-class family, this is a tenderly ironic drama about the apparent role of a woman as a mere wife and mother but, in fact, a force for change.<\/p>\n

Screened with: El Porton A Me Nona<\/strong>, Remigio Gri\u017eoni\u010d, Slovenia, 2019, 3\u2019<\/p>\n

With the support of: Italian Cultural Institute<\/strong><\/em><\/p>\n

 <\/p>\n

78 Days \/ 78 Dana\u00a0<\/strong><\/a><\/h2>\n

Emilija Ga\u0161i\u0107, Serbia, 2024, 80\u2019<\/p>\n

\"\"<\/a><\/p>\n

Fleeting videos capture the lives of three sisters as friendships, first kisses and disappointments overshadow the fear of NATO bombs.<\/p>\n

Screened with: . . Rumene zore, <\/strong>Davorin Marc, Slovenia, 2022, 2’40”<\/p>\n

Emilija Ga\u0161i\u0107<\/strong> will join us after the screening for a Q&A.<\/p>\n

 <\/p>\n

Manga d\u2019terra<\/strong><\/a><\/h2>\n

Basil Da Cunha, Switzerland, 2023, 96\u2019<\/p>\n

\"\"<\/a><\/p>\n

Drawing its explosive substance from the stories of a Lisbon ghetto, this musical is a tribute to women\u2019s unyielding spirit and the healing power of music.<\/p>\n

\u00a0<\/strong><\/p>\n

Black Tea<\/strong><\/a><\/h2>\n

Abderrahmane Sissako, France, Taiwan, Luxembourg, Mauritania, 2024, 110\u2019<\/p>\n

\"\"<\/a><\/p>\n

A mysterious film about love and freedom that bridges the divides between Africa and China, dreams and reality, past and present.<\/p>\n

\u00a0<\/strong><\/p>\n

Beyond Dreams<\/strong><\/a><\/h2>\n

Music & film<\/p>\n

\"\"<\/a><\/p>\n

A musical performance\u00a0by guitar virtuoso Elvis \u0160ahbaz, enhanced with visuals by film experimentalist Davorin Marc.<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Art Cinema Odeon & House of Culture<\/strong><\/h2>\n

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1489<\/strong><\/a><\/h2>\n

Shoghakat Vardanyan, Armenia, 2023, 76′<\/p>\n

\"\"<\/a><\/p>\n

Shot on a smartphone, this is a poignant personal documentary about the process \u2013 emotional and otherwise \u2013 of searching for a brother who went missing in the war.<\/p>\n

Selected by young programmers in collaboration with the Trieste International Film Festival.<\/em><\/p>\n

Shoghakat Vardanyan<\/strong> will join us after the screening for a Q&A.<\/p>\n

 <\/p>\n

Dahomey<\/strong><\/a><\/h2>\n

Mati Diop, France, Senegal, Benin, 2024, 68\u2019<\/p>\n

\"\"<\/a><\/p>\n

In 2021, 26 royal treasures from the Kingdom of Dahomey<\/em>, which had been looted by French colonial powers, returned to Benin.<\/p>\n

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Mother of All Lies \/ Kadib abyad\u00a0<\/strong><\/a><\/h2>\n

Asmae El Moudir, Morocco, Egypt, Saudi Arabia, Qatar, 2023, 96\u2019<\/p>\n

\"\"<\/a><\/p>\n

Buried history, tangled in a web of lies, comes to life in this precise reconstruction of painful events for Morocco and the author’s family.<\/p>\n

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The Echo \/ El Eco<\/strong><\/a><\/h2>\n

Tatiana Huezo, Mexico, Germany, 2023, 102\u2019<\/p>\n

\"\"<\/a><\/p>\n

Life is hard for children in a remote village in northern Mexico as they learn about nature, animals and people but also love, illness and death.<\/p>\n

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El Shatt \u2013 A Blueprint for Utopia\/ El Shatt \u2013 nacrt za utopiju\u00a0<\/strong><\/a><\/h2>\n

Ivan Ramljak, Croatia, Serbia, 2023, 96\u2019<\/p>\n

\"\"<\/a><\/p>\n

In the heart of a desert, 28,000 Dalmatian Croats, evacuated to Egypt from Italy after its capitulation, create a model for post-war Yugoslavia.<\/p>\n

Screened with: I Draw A Line, The Sky Will Be Above. #3<\/strong>, Davorin Marc, Slovenia, Croatia, 2021, 3\u2019<\/p>\n

Ivan Ramljak<\/strong> will join us after the screening for a Q&A.<\/p>\n

 <\/p>\n

Eureka<\/strong><\/a><\/h2>\n

Lisandro Alonso, France, Argentina, Germany, Portugal, Mexico, 2023, 146\u2019<\/p>\n

\"\"<\/a><\/p>\n

A journey on the wings of a bird across space, time and three stories that contemplate the future of a life haunted by the ghost of colonialism.<\/p>\n

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A Fidai Film<\/strong><\/a><\/h2>\n

Kamal Aljafari, Palestine, Germany, Qatar, Brazil, France, 2024, 78\u2019<\/p>\n

\"\"<\/a><\/p>\n

The film combines visual interventions in official Israeli archives and parts of the Palestinian archive seized by the Israeli army in Beirut in 1982.<\/p>\n

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Bread And Milk<\/strong><\/a><\/h2>\n

Jan Cvitkovi\u010d, Slovenia, 2001, 68′<\/p>\n

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A raw yet tender poetically realist film about people seeking warmth and love but doing everything they can not to find it.<\/p>\n

Selected by young programmers in collaboration with the Slovenian Cinematheque.<\/em><\/p>\n

After the screening, Jan Cvitkovi\u010d<\/strong> will have a talk with the young selectors.<\/p>\n

 <\/p>\n

Medtem ko trava raste \/ While the Green Grass Grows<\/strong><\/a><\/h2>\n

Peter Mettler, Switzerland, Canada, 2024, 166\u2019<\/p>\n

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A hypnotic meditation on the life of people and nature \u2013 everything flows, multiplies and continues, revealing no meaning.<\/p>\n

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The Child of the Sea<\/strong><\/a>
\nFisherman Mir\u010d and His Orada<\/strong><\/a><\/h2>\n

Remigio Gri\u017eoni\u010d, Slovenia, 2023, 34\u2019 + 16\u2019<\/p>\n

\"\"<\/a><\/p>\n

Two films about the tangled life of Mirko Andrej\u010di\u010d \u2013 Mir\u010d, a fisherman from Izola, and his unconditional love for fishing and the sea.<\/p>\n

Remigio Gri\u017eoni\u010d<\/strong> and Mirko Andrej\u010di\u010d – Mir\u010d<\/strong> will join us after the screening for a Q&A.<\/p>\n

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The Dupes \/ Al Makhdu’un<\/strong><\/a><\/h2>\n

Tawfik Saleh, Syria, 1972, 107\u2019<\/p>\n

\"\"<\/a><\/p>\n

A film about three generations of Palestinians trying to escape to Kuwait becomes an allegory of the multifaceted hardships of Palestinian existence.<\/p>\n

 <\/p>\n

Point d’Impact <\/strong><\/a><\/h2>\n

Neil Young, Austria, Poland, UK, 2022, 64\u2019<\/p>\n

\"\"<\/a><\/p>\n

In the Youtube landscape, in 2020\/21, hardcore Eurovision fans see Switzerland rise like a phoenix from the ashes of oblivion.<\/p>\n

Screening with: Fictional Breweries<\/strong>, Neil Young, Austria, Poland, UK, 2020, 2\u2019<\/p>\n

 <\/p>\n

Listen to Me \/ Escuchame\u00a0<\/strong><\/a><\/h2>\n

Guillermo Giampietro, Italy, 2022, 55\u2019<\/p>\n

\"\"<\/a><\/p>\n

An experimental film born out of activism dedicated to overcoming the prejudices that weigh on what is usually interpreted as madness.<\/p>\n

Guillermo Giampetro<\/strong> and Pavel Berdon<\/strong> will join us after the screening for a Q&A.<\/p>\n

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Just a Movement \/ Juste un Mouvement\u00a0<\/strong><\/a><\/h2>\n

Vincent Meessen, Belgium, France, 2021, 108′<\/p>\n

\"\"<\/a><\/p>\n

An innovative account of the life of Senegalese Maoist activist Omar Blondin Diop and a free adaptation of Godard’s La Chinoise<\/em>.<\/p>\n

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The Old Oak<\/strong><\/a><\/h2>\n

Ken Loach, UK, France, Belgium, 2023, 113′<\/p>\n

\"\"<\/a><\/p>\n

The arrival of Syrian refugees fuels the resentment of a once thriving mining community. A fierce call for compassion and solidarity.<\/p>\n

 <\/p>\n

Here<\/strong><\/a><\/h2>\n

Bas Devos, Belgium, 2023, 82\u2019<\/p>\n

\"\"<\/a><\/p>\n

Today, when the flow of time is monopolised and shaped by distractions, the film calls for attention \u2013 to nature and to people we would otherwise fail to notice.<\/p>\n

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The Tuner\/ Nastroj\u0161\u010dik<\/strong><\/a><\/h2>\n

Kira Muratova, Russia, Ukraine, 2004, 154\u2019<\/p>\n

\"\"<\/a><\/p>\n

Explosive satirical existential and crime drama about human relations controlled by social and economic norms.<\/p>\n

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Snatched from the Source<\/strong><\/a><\/h2>\n

Maja Weiss, Slovenia, 2023, 79′<\/p>\n

\"\"<\/a><\/p>\n

Harrowing intimate stories of four stolen children, the last surviving Slovenian victims of Nazi Germany’s Lebensborn racial experiment.<\/p>\n

Maja Weiss<\/strong> and Nata\u0161a Konc<\/strong> will join us after the screening for a Q&A.<\/p>\n

 <\/p>\n

Zinzindurrunkarratz<\/strong><\/a><\/h2>\n

Oskar Alegria, Spain, 2023, 89\u2019<\/p>\n

\"\"<\/a><\/p>\n

Following in the footsteps and byways of his shepherd grandfather, the author’s journey with a super-8 camera reveals fields, animals, wind, rituals, memories, lullabies…<\/p>\n

Oskar Alegria<\/strong> will join us after the screening for a Q&A.<\/p>\n

With the support of: Embassy of Spain<\/strong><\/em><\/p>\n

 <\/p>\n

The Golden Thread<\/strong><\/a><\/h2>\n

Nishtha Jain, India, Bosnia-Herzegovina, Netherlands, Norway, UK, 2022, 91\u2019<\/p>\n

\"\"<\/a><\/p>\n

A detailed and astonishing account of the decline of jute production, a once thriving industry where work has seen little change in the last 100 years.<\/p>\n

Nishtha Jain<\/strong> will join us after the screening for a Q&A.<\/p>\n

 <\/p>\n

Found Image: A programme of Premio\u00a0<\/strong>Cesare Zavattini\u00a0<\/strong>shorts and presentation of\u00a0<\/strong>UnArchive festival and the Audiovisual Archive of the Labour and Democratic Movement (Aamod)<\/strong><\/a><\/h2>\n

\"\"<\/a><\/p>\n

Gabriele Ragonesi presents Premio Cesare Zavattini, the UnArchive festival and the Audiovisual Archive of the Labour and Democratic Movement (Aamod), all dedicated to found footage films and the creative use of archive material.\u00a0The event will be in English.<\/em><\/p>\n

 <\/p>\n

Found Image: A programme of shorts and panel discussion with found footage filmmakers<\/strong><\/a><\/h2>\n

\"\"<\/a><\/p>\n

Found images find different ways to live new lives in new films, acquiring fresh meanings and raising various political, social, and aesthetic issues and interesting questions. The one thing old images turned new films have in common is reinterpretation \u2013 the gaze of the filmmaker imbuing the images with new meanings that speak to their current reality. Join us for a panel discussion on the creative challenges of using found footage with filmmakers from the festival lineup.\u00a0The event will be in English.<\/em><\/p>\n

The screenings will be followed by a panel discussion with the following film professionals: Emilija Ga\u0161i\u0107, Laura Samani, Bill Morrison, Neil Young in Davorin Marc.<\/strong><\/p>\n

 <\/p>\n

Found Image: A programme of shorts and masterclass by Bill Morrison<\/strong><\/a><\/h2>\n

\"\"<\/a><\/p>\n

Bill Morrison is a NY-based independent filmmaker who often uses found, archival footage, combined with new original music, to explore the aesthetic and narrative effects of the decay of analogue film stock. His latest work\u00a0Incident<\/strong>\u00a0(2023) may be untypical for his creative expression in that it is constructed from the surveillance footage of the body-worn police and street security cameras.\u00a0The event will be in English.<\/em><\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Largo pri \u0160pini<\/h2>\n

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End of Summer \u2013 Notes on Furio \/ <\/em><\/strong>L’estate \u00e8 finita – Appunti su Furio\u00a0<\/strong><\/a><\/h2>\n

Laura Samani, Italy, 2023, 15\u2019<\/p>\n

\"\"<\/em><\/strong><\/a><\/p>\n

The end of summer always brings a sense of loss. A journey through memories of summers past in search of lost love \u2013 and ourselves.<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Video on the Beach<\/h2>\n

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Video on the Beach I: Beyond Searching for Memories<\/strong><\/a><\/h2>\n

The Box<\/strong>, Toma\u017e Pavkovi\u010d, Slovenia, 2023, 22\u2019<\/p>\n

1976: Search For Life<\/strong>, Tess Martin, Netherlands, 2023, 10\u201956\u2019\u2019<\/p>\n

\u00a0Fran And Verka; Or a Usual Day in an Abandoned Village<\/strong>, Sovran Nrecaj, Kosovo, 2023, 14\u2019<\/p>\n

Pillar<\/strong>, Ciril Zupan, Slovenia, 2024, 3\u201921\u2019\u2019<\/p>\n

Veronica of Desenice<\/strong>, Mery Gobec, Slovenia, 2023, 23\u201925\u2019\u2019<\/p>\n

Modern Woman<\/strong>, Maya Salvini, Slovenia, 2023, 4\u201941\u2019\u2019<\/p>\n

Octopus Banana Hotchpotch<\/strong>, Milanka Fabjan\u010di\u010d, Slovenia, 2023, 7\u201940\u2019\u2019<\/p>\n

The Last Day of Spring<\/strong>, Jan Krevatin, Slovenia, Croatia, 2023, 19\u2019<\/p>\n

The Garden of Heart<\/strong>, Oliv\u00e9r Hegyi, Hungary, Slovakia, 2022, 10\u201932\u2019\u2019<\/p>\n

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Video on the Beach II: Beyond Atmospheres<\/strong><\/a><\/h2>\n

Retreat<\/strong>, Tina \u0160ulc Resnik, Slovenia, 2023, 1\u201925\u2019\u2019<\/p>\n

Swimming Pool Gardens<\/strong>, Ester Ivaki\u010d, Slovenia, 2022, 6\u201924\u2019\u2019<\/p>\n

March 8, 2020: A Memoir<\/strong>, Firat Y\u00fccel, Turkey, Netherlands, 2023, 15\u2019<\/p>\n

Know Your Stones<\/strong>, Katarina Jazbec, Germany, Netherlands, 2023, 21\u2019<\/p>\n

Objects in the Mirror Are Closer Than They Appear<\/strong>, Lucija Klau\u017e, Slovenia, 2023, 19\u201926\u2019\u2019<\/p>\n

Hope Fills Your Hearts<\/strong>, Ju\u0161 Premrov, Slovenia, 2024, 4\u20192\u2019\u2019<\/p>\n

Split Ends<\/strong>, Hannah Koselj Maru\u0161i\u010d, Slovenia, 2024, 14\u201959\u2019\u2019<\/p>\n

Zdenka’s Stairs<\/strong>, Aleksandar Tadi\u0107, Slovenia, 2023, 10\u201915\u2019\u2019<\/p>\n

+ special screening: Auntie Milena<\/strong>, Mila Per\u0161in, Slovenia, 2019, 9\u2019<\/p>\n

+ special screening: Koala Voice – Vertigo<\/strong>, Matev\u017e Jerman, Slovenia, 2020, 5\u201941\u2019\u2019<\/p>\n

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Video on the Beach III: Beyond Obedience<\/strong><\/a><\/h2>\n

Quebrante, <\/strong>Janaina Wagner, Brazil, 2024, 23\u2019<\/p>\n

Shooting Watermelons<\/strong>, Antonio Donato, UK, Italy, 2023, 20\u2019<\/p>\n

Sweet Like Lemons,<\/strong> Jenny Jokela, UK, Finland, 2023, 5\u201931\u201d<\/p>\n

Line<\/strong> Rider<\/strong>, Simon Intihar, Slovenia, Australia, 2023, 25\u2019<\/p>\n

(Un)lucky Day<\/strong>, Karin Likar, Slovenia, 2023, 4\u201914\u201d<\/p>\n

Juvies<\/strong>, Jure \u0160tern, Slovenia, 2023, 21\u2019<\/p>\n

Disobedient Kids<\/strong>, Maya Salvini, Slovenia, 2023, 1\u201937\u201d<\/p>\n

Bye Bye, Bowser<\/strong>, Jasmin Baumgartner, Austria, 2023, 20\u2019<\/p>\n

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Video on the Beach IV: Beyond Evanescence<\/strong><\/a><\/h2>\n

Let Me Breathe<\/strong>, Katarina Brglez, Slovenia, 2023, 2\u201940\u2019\u2019<\/p>\n

Dreams Like Paper Boats<\/strong>, Samuel Suffren, Haiti, 2024, 19\u2019<\/p>\n

(In)visible Walls<\/strong>, Giulio De Paolis, Italy, Slovenia, 2023, 19\u20199\u2019\u2019<\/p>\n

Kinderfilm<\/strong>, Total Refusal, Austria, 2023, 11\u2019<\/p>\n

Been There, <\/strong>Corina Schwingruber Ili\u0107, Switzerland, 2023, 11\u2019<\/p>\n

All-Inclusive, <\/strong>Marko Pleji\u0107, Croatia, Serbia, 2024, 3\u201912\u201d<\/p>\n

Beautiful Figures, <\/strong>Soetkin Verstegen, Belgium, Switzerland, 2023, 4\u2019<\/p>\n

Deathmaiden, <\/strong>Nika Otrin, Slovenia, 2024, 10\u2019 3\u201d<\/p>\n

You Land, <\/strong>Debora Mait\u00e9, Italy, UK, 2023, 15\u2019<\/p>\n

Farmer Online<\/strong>, Neo Nor, Slovenia, 2023, 4\u20199\u2019\u2019<\/p>\n

\u00a0The Real Truth About the Fight, <\/strong>Andrea Slavi\u010dek, Croatia, Spain, 2023, 14\u2019<\/p>\n

Calling My Existence<\/strong>, Gregor Kocjan\u010di\u010d, Slovenia, 2023, 4\u201931\u2019\u2019<\/p>\n

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Video on the Beach V: Beyond Survival<\/strong><\/a><\/h2>\n

Sports Day<\/strong>, August Adrian Braatz, Slovenia, 2023, 22\u2019\u2019<\/p>\n

Life Is Silly, I Love You<\/strong>, Vita Eva Weisseisen, Slovenia, 2024, 1\u201944\u2019\u2019<\/p>\n

Rooted in Code<\/strong>, Nejc Trampu\u017e, Slovenia, 2023, 13\u201923\u2019\u2019<\/p>\n

Timecapsule<\/strong>, Rebeka Brato\u017e Gornik, Slovenia, Croatia, 2023, 10\u201919\u2019\u2019<\/p>\n

Her Dress for the Final<\/strong>, Martina Me\u0161trovi\u0107, Croatia, 2023, 8\u201945\u2019\u2019<\/p>\n

3MWh<\/strong>, Marie-Magdalena Kochov\u00e1, Czechia, 2024, 12\u2019<\/p>\n

Just Keep Breathing<\/strong>, Anej Gol\u010dar, UK, 2023, 6\u2019<\/p>\n

Spring<\/strong>, Pernille Kj\u00e6r, Denmark, 2023, 12\u201928\u2019\u2019<\/p>\n

Les Chenilles<\/strong>, Michelle Keserwany, Noel Keserwany, France, Lebanon, 2023, 30\u2019<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Submarine<\/h2>\n

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The Quiet Girl\u00a0\/ An Cail\u00edn Ci\u00fain<\/strong>\u00a013+<\/strong><\/a><\/h2>\n

Colm Bair\u00e9ad, Ireland, 2022, 95\u2032, in Irish Gaelic and English with Slovenian subtitles<\/p>\n

\"\"<\/a><\/p>\n

A painful truth concealed beneath the idyllic beauty of Irish countryside. A quietly poignant coming-of-age story shot in the rarely-heard Irish language.<\/p>\n

Selected by young programmers from Elvira Vatovec Prade Primary School.<\/em><\/p>\n

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Dounia and the Princess of Aleppo<\/b> \/ <\/strong><\/span>Dounia et la princesse d’Alep<\/strong>\u00a0<\/strong>6+<\/span><\/b>\u00a0<\/span><\/a><\/h2>\n

Marya Zarif, Canada, France, 2022, 72′, d<\/span>ubbed in Slovenian<\/span>\u00a0<\/span><\/p>\n

\"\"<\/a><\/p>\n

An emotionally and visually striking journey to Syria, imbued with song, fragrances, and magical powers, through the eyes of a refugee girl.<\/span>\u00a0<\/span><\/p>\n

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And the King Said, What a Fantastic Machine<\/strong>\u00a0\/ In kralj re\u010de, kako fantasti\u010den stroj\u00a013+<\/strong><\/a><\/h2>\n

Axel Danielson, Maximilien Van Aertryck, Sweden, Denmark, 2023, 88\u2032, in German, Swedish, English, Arabic and French with Slovenian subtitles<\/p>\n

\"\"<\/a>
\nA work of provocative wit, this whirlwind of images, from camera obscura to social networks, raises questions about the society and images that surround us.<\/p>\n

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Magical Friendships 3+<\/strong><\/a><\/h2>\n

32\u2032, no dialogue<\/p>\n

Koyaa \u2013 Creepy Blanket<\/strong> (Kolja Saksida, Slovenia, 2019)<\/p>\n

Franzy\u2019s Soup-Kitchen \/ La Soupe De Franzy<\/strong> (Ana Chubinidze, France, 2021)<\/p>\n

Animanimals: T-Rex<\/strong> (Julia Ocker, Germany, 2022)<\/p>\n

To Be Sisters \/ Entre deux soeurs<\/strong> (Anne-Sophie Gousset, Cl\u00e9ment C\u00e9ard, France, 2022)<\/p>\n

Don\u00b4t Blow It Up \/ Odpus\u0165<\/strong>\u00a0 (Al\u017ebeta Ma\u010d\u00e1kov\u00e1 Mi\u0161ejkov\u00e1, Czechia, 2022)<\/p>\n

Ink \/ Inkt<\/strong>\u00a0(Erik Verkerk, Joost van den Bosch, Netherlands, 2020)<\/p>\n

A selection of six captivating, stylistically varied short animated stories about warm and unusual friendships.<\/p>\n

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Optical Toys workshop<\/strong><\/p>\n

A playful way to learn the ABCs of animated cinema and its history.<\/p>\n

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Michele Bernardi and His World of Animation<\/strong><\/a><\/h2>\n

Legendary Italian illustrator Michele Bernardi shows a selection of his animations and original animation materials from the era of films stock. Free admission.<\/p>\n

\"\"<\/a><\/p>\n

Animation Time with Michele Bernardi 9+<\/strong><\/a><\/h2>\n

Animation workshop for a closed group of participants aged 9 and over. Admission is free, but spaces are limited so please book yours at meri.viler@isolacinema.org.<\/p>\n

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The Path \/ Der Pfad<\/strong><\/a><\/h2>\n

Tobias Wiemann, Nem\u010dija\/Germany, 2022, 99\u2032, in German with Slovenian subtitles<\/p>\n

\"\"<\/a><\/p>\n

Two children and a dog fleeing from the Nazis. An adventure on courage and solidarity that has captivated children and youth festival juries worldwide.<\/p>\n

Selected by young programmers from Elvira Vatovec Prade Primary School.<\/em><\/p>\n

Tobias Wiemann<\/strong> will join us after the screening for a Q&A.<\/p>\n

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Sirocco and the Kingdom of the Winds\u00a0\/ Sirocco et le Royaume des courants d\u2019air\u00a0\u00a06+<\/strong><\/a><\/h2>\n

Beno\u00eet Chieux, France, Belgium, 2023, 75\u2032<\/p>\n

\"\"<\/a><\/p>\n

Lavish visuals blur boundaries between poetry and cinema in this epic, dreamy adventure guaranteed to enthral children and adults alike.<\/p>\n

Fair Winds!\u00a0<\/strong>Creative workshop<\/p>\n

A workshop to celebrate the windiest film in the lineup by making simple devices: pinwheel, kite, and wind-powered car. In collaboration with Trieste Bora Museum.\u00a0Admission is free, but spaces are limited so please book yours at\u00a0<\/em>meri.viler@isolacinema.org<\/em><\/a>.<\/em><\/p>\n

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Otok in Ljubljana and elsewhere<\/h2>\n

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La Chinoise<\/a><\/strong><\/h2>\n

Jean-Luc Godard, France, 1967, 95\u2032<\/p>\n

\"\"<\/a><\/p>\n

An iconic, playful and revolutionary snapshot of quasi-revolutionary bourgeoise youth.<\/p>\n

With the support of: Institut Fran\u00e7ais<\/strong><\/em><\/p>\n

 <\/p>\n

Just a\u00a0Movement \/ Juste un Mouvement\u00a0<\/strong><\/a><\/h2>\n

Vincent Meessen, Belgium, France, 2021, 108\u2032<\/p>\n

\"\"<\/a><\/p>\n

An innovative account of the life of Senegalese Maoist activist Omar Blondin Diop and a free adaptation of Godard\u2019s\u00a0La Chinoise<\/em>.<\/p>\n

 <\/p>\n

Essential Thruths of the Lake<\/a><\/h2>\n

Lav Diaz, Philippines, Germany, Portugal, Singapore, Italy, Switzerland, UK, 2023, 215\u2019<\/p>\n

\"\"<\/a><\/p>\n

Memories blend with nightmares as an ex-policeman driven mad by Duterte\u2019s war on drugs takes on an unsolved case.<\/p>\n

 <\/p>\n

The Path<\/strong>\u00a0\/ Der Pfad\u00a09+<\/strong><\/a><\/h2>\n

Tobias Wiemann, Nem\u010dija\/Germany, 2022, 99\u2032, in German with Slovenian subtitles<\/p>\n

\"\"<\/a><\/p>\n

Two children and a dog fleeing from the Nazis. An adventure on courage and solidarity that has captivated children and youth festival juries worldwide.<\/p>\n

 <\/p>\n

The Cemetery of Cinema \/ Au cimeti\u00e8re de la pellicule<\/strong><\/a><\/h2>\n

Thierno Souleymane Diallo, France, Senegal, Guinea, Saudi Arabia 2023, 96\u2019<\/p>\n

\"\"<\/a><\/p>\n

A multi-layered portrait of Guinea, which is only slowly rediscovering the importance of films and film archives for its cultural identity and history.<\/p>\n

With the support of: Institut Fran\u00e7ais<\/strong><\/em><\/p>\n

 <\/p>\n

Black Tea<\/strong><\/a><\/h2>\n

Abderrahmane Sissako, France, Taiwan, Luxembourg, Mauritania, 2024, 110\u2019<\/p>\n

\"\"<\/a><\/p>\n

A mysterious film about love and freedom that bridges the divides between Africa and China, dreams and reality, past and present.<\/p>\n

 <\/p>\n

Eastern Front \/ \u0160idnij front<\/strong><\/a><\/h2>\n

Vitaly Mansky, Yevhen Titarenko, Latvia, Czechia, Ukraine, USA, 2023, 98\u2019<\/p>\n

\"\"<\/a><\/p>\n

A raw and direct close-up of Ukraine\u2019s eastern front line and life on the home front in the west, of people struggling to survive.<\/p>\n

 <\/p>\n

Dounia and the Princess of Aleppo<\/strong>\u00a0\/ Dounia et la princesse d\u2019Alep<\/strong>\u00a06+<\/strong><\/a><\/h2>\n

Marya Zarif, Andr\u00e9 Kadi, Canada, France, 2022, 72\u2032, dubbed in Slovenian<\/p>\n

\"\"<\/a><\/p>\n

An emotionally and visually striking journey to Syria, imbued with song, fragrances, and magical powers, through the eyes of a refugee girl.<\/p>\n

 <\/p>\n

20,000 Species of Bees \/\u00a0<\/strong>20.000 especies de abejas\u00a0<\/strong><\/a><\/h2>\n

Estibaliz Urresola Solaguren, Spain, 2023, 129\u2019<\/p>\n

\"\"<\/a><\/p>\n

A study of interpersonal relationships that sheds light on current social issues from a personal perspective and in parables from nature.<\/p>\n

 <\/p>\n

Sirocco and the Kingdom of the Winds \/ Sirocco et le Royaume des courants d\u2019air\u00a0\u00a06+<\/strong><\/a><\/h2>\n

Beno\u00eet Chieux, France, Belgium, 2023, 75\u2032<\/p>\n

\"\"<\/a><\/p>\n

Lavish visuals blur boundaries between poetry and cinema in this epic, dreamy adventure guaranteed to enthral children and adults alike.<\/p>\n

 <\/p>\n

La Chimera<\/strong><\/a><\/h2>\n

Alice Rohrwacher, Italy, Switzerland, France, 2023, 130\u2032<\/p>\n

\"\"<\/a><\/p>\n

Each of us has their own chimera \u2013 something they long for but never find\u2026<\/p>\n

 <\/p>\n

Anatomy of a Fall \/ Anatomie d\u2019une chute<\/strong><\/a><\/h2>\n

Justine Triet, France, 2023, 151\u2019<\/p>\n

\"\"<\/a><\/p>\n

Exciting courtroom drama that dissects the breakdown of a marriage.<\/p>\n

 <\/p>\n

Fallen Leaves \/ Kuolleet lehdet<\/strong><\/a><\/h2>\n

Aki Kaurism\u00e4ki, Finland, Germany, 2023, 81\u2019<\/p>\n

\"\"<\/a><\/p>\n

A gentle tragicomedy about lonely souls searching for love in a time of economic inequality, war and uncertainty.<\/p>\n

 <\/p>\n <\/div>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[…]<\/p>\n

Read More…<\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/about.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6735","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/pages\/6735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/comments?post=6735"}],"version-history":[{"count":35,"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/pages\/6735\/revisions"}],"predecessor-version":[{"id":9231,"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/pages\/6735\/revisions\/9231"}],"wp:attachment":[{"href":"https:\/\/2024.kinootok.org\/en\/wp-json\/wp\/v2\/media?parent=6735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}